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Melodic Youth - July 2010

Ready to Start is the first official US/Australian single from Montreal seven piece Arcade Fire’s soon to be released third album, The Suburbs. If you’re an internet nerd or an Arcade Fire groupie worth your salt you’d have listened to four of the tracks from the album already, they’ve leaked. If you haven’t, they’re relatively easy to access.

Back to the song actually released by the band, then. Ready to Start is just about as rocky as the Canadians get. A thumping, constant drum beat, spacey guitars, heavy bass and gentle piano betrays the dark lyrical content. The song is heavy and atmospheric from the get-go, yet still has this unique ability to rise in tempo throughout. It ends with a sizzling crescendo complete with the spine tingling instrumental interplay fans of the band come to expect.



Front man and founder, Win Butler’s vocals almost takes a backseat as the instruments dominate attention, but his melodic voice becomes more prominent as the song increases in both depth and tempo. Despite Butler’s vocals taking a passive role, the dark, mysterious lyrical content remains at the forefront throughout.

With lines like: “All the kids have always known, that the emperor wears no clothes, but they bow down to him anway, because it’s better than being alone”, Butler questions the status quo and looks to the future, but not always with a positive outlook.

Arcade Fire fans won’t have to have many listens before they warm to this track.

Adam
70
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Jamie Lidell - Compass Reviewed

July 8th 2010 09:33
jamie lidell compass
Jamie Lidell: a man of many genres


Jamie Lidell (born in Cambridge, England, in 1973, but now based in New York, USA) is a true genre-hopping musician. Having been associated with styles such as electronic/techno, pop/rock, and funk/soul, he has thrown it all together, along with a number of notable accomplices on his fourth full-length studio album, Compass.

COMPASS: Rating....8.5/10


Jamie Lidell has said that Compass is a rougher production than previous albums. He has previously explored the genre of pop and this time has come up with a soul/indie record. It takes time to get used to, and it is not an album you can understand just by listening to the best songs off it. Lidell is a truely exceptional vocalist (as well as his unique 'soul' singing, he also contributes beat boxing, vocal layering, and vocal effects). Compass is likely to be remembered as Lidell's collaboration with other notable musicians, with this list of contributors:

-- Beck Hansen - Co-production, backing vocals, guitar, synths.
-- Chris Taylor (Grizzly Bear) - Co-production, co-mixing, bass, guitar, synths, percussion, wind instruments.
-- Daniel Rossen (Grizzly Bear) - Guitar
-- Chris Bear (Grizzly Bear) - Drums, percussion.
-- Leslie Feist - Backing vocals, guitar, percussion.
-- James Gadson (session musician rumoured to have played on 300 different Gold records) - Drums.
Plus many others.

For an album with such notable company, it is still not hard to love the music for what it is. It opens magnificently with the rock-y Completely Exposed and funky Your Sweet Boom, while other strong songs include blues/soul tracks I Wanna Be Your Telephone and Enough's Enough. Lidell's voice is always strong and confident, and his songwriting has evolved from previous albums.

Overall, a fantastic record that anyone can enjoy if given the time.

Bren.
86
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jack johnson to the sea
The road has been a natural progression for Jack Johnson


To some, Jack Johnson is just another surfer dude from Hawaii who occasionally makes a few radio-friendly, bland acoustic songs. To others, such as myself, his songs add a lot of meaning and relaxation to an otherwise stressful life. His 5th studio album, To The Sea, is musically a natural step forward from his previous album, Sleep Through The Static.

TO THE SEA: Rating....8/10


Tracklist
1. You And Your Heart
2. To The Sea
3. No Good With Faces
4. At Or With Me
5. When I Look Up
6. From The Clouds
7. My Little Girl
8. Turn Your Love
9. The Upsetter
10. Red Wine, Mistakes, Mythology
11. Pictures of People Taking Pictures
12. Anything But The Truth
13. Only The Ocean

In a move further away from the simple "acoustic guitar and voice" songs Jack Johnson spent his first few albums doing, this time around the band (Merlo Podlewski on bass, Zach Gill on keys, and Adam Topol on drums) features more prominently on most songs. First single, You And Your Heart, is an example of this: instead of being just an acoustic strummer, Jack has included some catchy electric guitar riffs and crafted his music into more complete pop/rock, while still maintaining the acoustic guitar as a basis for most songs. That's not to say that this is a repetitive album: some slower acoustic songs are also included, such as My Little Girl, but it's the aforementioned pop/rock which really drives the album. Along with the two songs I've mentioned, highlights include the title track, To The Sea, and At Or With Me, which also features lable-mate, G Love on harmonica. Recorded at Johnson's home studios, The Mango Tree in Hawaii and the Solar Powered Plastic Plant in LA and released on his own record label, Brushfire Records, To The Sea is a catchy record for all fans of Jack Johnson's music, and even if you aren't a fan, I still recommend a listen on the band's MySpace page.

Bren.
92
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Cabins - Bright Victory reviewed

July 7th 2010 01:53


Bright Victory is an interesting title for Sydney band Cabins’ debut album. Cabins play music that is far more ominous and atmospheric than bright and optimistic, but it’s certainly a victory for the band; this album is a killer.

Lead track Hounds is the perfect mix of grunt and pop sensibilities. With a frenzied, rolling drum beat, killer hooks and main vocalist Leroy Bressington’s warm but forceful drawl, Cabins play you into a trance and immediately snap you back out of it. Ominous yet gentle one minute, and dark and blaring the next; Cabins switch tempo almost at will, but at all the right times.

Oceanic Blues is one of those said trance inducers; all jangly acoustic guitars, woody percussion and layered vocals. Catcher in the Rye blares at you with pumping guitars, that rolling drumbeat and finally emotive, even woozy piano. Bressington’s multi-faceted drawl, so melodic its coma-inducing one minute and so strong it commands your attention the next, perfectly suits what is more about the instruments than the vocals. When the vocals do take centre stage, like in killer track Mary, they’re eerie and booming and the listener couldn’t escape from the impact of the lyrics even if they wanted to.

Mary ups the tempo, all thumping drums and blaring guitars, Bressington displaying immense talent behind the microphone. It’s in perfect contrast to swooner The Moon, a down tempo crooner featuring wiry guitars, touches of piano and a fabulous Spanish-horn cameo. It sounds crazy, but it works; it gets you listening intently, unmoving, trance like and then forcing you to bop along like a schoolgirl listening to Katy Perry.

Cabins are a band that is calculating and meticulous in their composition, and boy does it work. Each song is delicately crafted, paying homage to the immense riches each instrument offers.

After a couple of listens you start to pay attention to Leroy Bressington’s lyrical ability. He paints vivid imagery with ease, and often. This is extremely evident in Foes & Thieves, an epic five minute haunter with a thumping backbeat. When Leroy croons the line “I think I hear the winter wind whisper where I’ve been” you almost automatically place the song on a higher pedestal than the rest of the album.

If I’ve got any criticisms it’s that I want more; 30 minutes and eight tracks isn’t anywhere near enough. I want more Cabins to snap in and out of a trance to. But you’d Cabins would be pretty pleased if Bright Victory left every listener desperate for more.

Overall, this is a fantastic debut album; with not a single weak track in sight.

Adam
94
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cloud control bliss release
MOUNTAIN FOLK: Jeremy, Alister, Ulrich, and Heidi.


Cloud Control are an indie/pop band from the Blue Mountains in New South Wales, Australia, consisting of Alister Wright (guitar, vocals), Jeremy Kelshaw (bass), and siblings Heidi (keys, vocals) and Ulrich Lenffer (drums). Bliss Release, released earlier this year, is the debut LP from the up-and-coming young band.

BLISS REALEASE. Rating...7/10


Tracklist
1. Meditation Song #2 (Why, Oh Why)
2. There's Nothing In The Water We Can't Fight
3. Ghost Story
4. Gold Canary
5. This Is What I Said
6. Just For Now
7. The Rolling Stones
8. Hollow Drums
9. My Fear #2
10. Beast of Love

Bliss Release is a great debut from a unique-sounding band that will have a lot to offer Australian music in the coming years. Unfortunately, I passed up the opportunity to see Cloud Control live at The Republic in Hobart because no-one knew who they were, and weren't willing to go with me. I should've still gone to the gig!!! By not going, I broke a golden rule of mine: do not pass up the opportunity to see good live music, even if it has to be by yourself! This collection of indie pop songs truely captured the spirit of the Blue Mountains, and listening to the album I really believe that this would've been best experienced in a live setting. Singles, Gold Canary, This Is What I Said (which remarkably includes a verse of completely improvised studio vocals), and There's Nothing In The Water... are all high points in an album that has contrasting dynamic from song-to-song.

All in all, Cloud Control have done enough to suggest that they are part of the exciting next crop of Australian bands.

Bren.
Really Long Link
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